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Homer was rewritten by Virgil, who was rewritten by Dante, who was rewritten by Milton, who was rewritten by Pullman.
"Beowulf" was rewritten by Gaiman and Avary.
History rewritten by the TV researchers.
"Carnival" feels like Margaret Edson's "Wit," as rewritten by Ionesco.
Bond is back, rewritten by several authors, and so is Holmes.
Laurel is given to breathless diagnoses of character that suggest Freud rewritten by Barbara Cartland.
Wake reads like a collaboration between Dean Koontz and John Wyndham, rewritten by Margaret Atwood.
It's almost as if Shakespeare's "Titus Andronicus" had been rewritten by Joe Orton.
Hall's version was rewritten by Richard Curtis, who was then also rewritten.
Like Touching the Void rewritten by Jack London, Thin Air is a heart-freezing masterpiece.
"20th Century Women" plays like an episode of Proust rewritten by Richard Bach.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com