Sentence examples for lack of prominence from inspiring English sources

The lack of prominence of the movies I've cited here isn't their problem — it's the problem of critics who, fixated on Hollywood as if they were paid publicists rather than discerning viewers, have neglected them.

Mr Rose said the Museum of London site wouldn't be his first choice for the new venue, citing a lack of prominence and access issues as two important negatives.

Some of problems with the BlackBerry 10 release seemed more related to the products than to advertising or lack of prominence in carriers' stores, which had been cited as problems.

However, some find it difficult to remain silent about a government that claims to be acting in the interest of hard-pressed asylum seekers but has recently decided to send them to third countries whose lack of prominence in the international system and poor track record on human rights is unlikely to deliver much hope.

The critic Dave Hickey, in an ecstatic essay in 2000, even launched a rear-guard action for Mr. Wesley as a 20th-century extension of Rococo, putting him in the company of Boucher and saying of his relative lack of prominence among the great postwar painters: "Those who know know; those who care care; those who don't know or care don't have a clue, but that's O.K., too".

Paradoxically, this apparent lack of prominence and ambition may have been what persuaded others to support him.

They're comparatively isolated and can lack the prominence and political clout of their big-city counterparts that can help facilitate the flow of needed funding.

In these 'swampy lowlands' of ongoing, complex physical and emotional health problems, the lack of effective medical interventions inevitably lends prominence to the promotion and support of self-care strategies.

This lack of pain is partially brought to prominence in this psychoanalytic context by Freud's 'pleasure principle' which holds that, subconsciously, humans always seek to experience pleasure and avoid pain and so problematizes actions of self-mutilation.

Other distinctive features of the Coimbra style included a lack of improvisation (performances were solidly rehearsed) and the elevation of the guitarras and violas to a position of prominence from what had been an essentially accompanimental role.

The integrated mailshot was not particularly effective, probably because of lack of incentive/enthusiasm from the practice, and the prominence of the message.