The organisation Christian Voice expressed offence at the religious imagery of a scene in which the Doctor is lifted through the ship by robot angels, believing the messianic portrayal of the Doctor as "inappropriate"; however, in April 2008, vicars were encouraged to use the same scene to "illustrate themes of resurrection, redemption and evil" to young people.
The anti-alarmists used the same scenes but added a different voice-over, one in which the evil alarmists were causing young children to have nightmares and accept a lower standard of living.
Using the same approach, classroom_act1 scene is classified as a medium-SI_medium-TI scene.
Using the same 10,000 novel scenes and corresponding stimuli as in the experiment just described, we plot in Figure 2B the predicted reflectance, <img src="http://journals.plos.org/plosone/article/asset?id=info?doi/10.1371/journal.pone.0005091.e012.PNG" class= inline-graphic"/>, for groups of samples of constant luminance arranged according to dominant wavelength.
The original used was the same scene, painted by Gauguin's contemporary Jacob Meijer de Haan, which was supplied in error.
In one version of this encounter, the characters greet each other using the same dialogue from this scene in the film (Superman: "Easy, Miss, I've got you". Lois: "You've got me... who's got you?").
These systems offer a major advantage over exposure time fusion methods in that they robustly handle motion of the camera and objects in the scene by using the same exposure time for each sensor.
In the VD condition participants were exposed to a video, based on the Imagery Exposure script, and using the same actors involved in the VR scene, showing the same situation described before.
Participants were presented with 15 digital photographs (and 3 practice images) of everyday scenes taken using the same camera (Sony DSC-T1, Sony Corporation, Tokyo, Japan), four of which are shown in Figure 1.
