Sentence examples for translucent paint from inspiring English sources

Angels gather round the Virgin in his Immaculate Conception, but they also materialise through translucent paint like photographs developing in fluid.

In Miriam Schapiro's 1959 canvas, "Pandora," translucent paint coalesces into a figure that the artist would reinvent many years later in different symbolic guises.

It's basically a quick-drying translucent paint that you can write on with whiteboard markers, and according to the maker, it erases well too.

A mixture of hematite and gypsum, as well as a yellow ochre overlayed by a translucent paint layer (silicate) were both over painted with a mixture of lead white and minium, resulting in a slight rose color.

Likewise, sample S4 was probably first yellow consisting in a yellow ochre overlayed with a translucent paint layer (L1 and L2 of sample S4, Figure 6e), made of a silicate (Table 1).

A sample from the red translucent paint at P4 (see Fig. 5 for light microscopy image) appeared to contain a resinous material and produced a spectrum indicating that it was possibly shellac, as a broad doublet type C=O band around the lower regions of 1700 cm−1 was observed as well as a band at 1636 cm−1 associated with the C=C bonding.

They consist of photographs of everyday street scenes laminated with thick Plexiglas sheets and then painted with translucent colored paint, creating a second, abstract composition on top of the original image.

The cross-section examination of sample zd-3 shows a thin translucent pink paint layer is painted above a thicker white under-painting.

In the St. Janskerk windows at Gouda, Holland, painted by the brothers Wouter and Dirk Crabeth at the end of the 16th century, and in the works (1620 40) of Abraham and Bernard van Linge, the realization of the window as a translucent canvas painting is complete.

The Il Trovatore paintings reveal how he developed this style over the course of his career; in these late works the earth is shaped into translucent, thinly painted hills and valleys, which are then worked over with a semi-dry bristle brush and some finger painting.

For their Fourth Street loft, they designed what Ms. Standefer called "the ultimate one-bedroom," layering all 2,300 square feet with their signature flourishes -- slabs of lithographer's marble, stained dark from ink; baker's marble, creamy and translucent; thickly painted cabinetry and doors in cream and black; a gleaming, ebonized floor; bits of iron and steel from old factories.