After being printed, the paper shows through thin deposits of translucent ink, thus creating pale grays; heavier ink deposits from the more deeply etched wells appear correspondingly opaque.
The following year, in 1963, the Massachusetts print-media giant Carter's Ink developed a similar water-based marker that emitted an eye-catching translucent ink.
Finally, the Suqqu Eyebrow Liquid Pen (£20) is the most realistic, natural-looking brow product there is, thanks to its translucent ink in sludgy, watercolour shades.
A translucent e-ink screen would lay on-top of a traditional LCD screen giving the user the option of switching between a battery saving and sunlight-friendly e-ink display and the LCD.
The printed array platforms (Figure 1a and b) for biofilm formation experiments were fabricated by flexographic printing of a single layer of the PDMS based hydrophobic, translucent and solvent-free ink on the studied paper substrates by using pre-designed flexographic printing plates with well diameters of 2 mm or 5 mm (a photograph shown in Additional file 1: Figure S1).
This final piece alludes to kuang chao (wild calligraphy), the most advanced form, and features huge scrolls of translucent paper inscribed with seeping ink as well as dancers dressed in black and moving across a white floor.
This final piece alludes to kuang chao (wild calligraphy), the most advanced form, and features huge scrolls of translucent paper inscribed with seeping ink, as well as dancers dressed in black, moving across a white floor.
This is established at the start of the show with a masterpiece: the five scrolls known as the "Illustrated Legends of the Kitano Tenjin Shrine," a sublime example of Chinese-style ink painting highlighted with translucent washes of color from the 13th-century Kamakura period.
Working in his spare time, McCay drew thousands of frames of Gertie on sheets of rice paper, a medium good for drawing as it did not absorb ink, and as it was translucent it was ideal for the laborious retracing of backgrounds, a job that fell to art student neighbor John A. Fitzsimmons.
For their Fourth Street loft, they designed what Ms. Standefer called "the ultimate one-bedroom," layering all 2,300 square feet with their signature flourishes -- slabs of lithographer's marble, stained dark from ink; baker's marble, creamy and translucent; thickly painted cabinetry and doors in cream and black; a gleaming, ebonized floor; bits of iron and steel from old factories.
What appear to be barnacles in Elise D'Arrigo's drawings are collaged layers of ink-stained paper, with the buildup of translucent surfaces resulting in almost three-dimensional effects.
