Sentence examples for theme of the relation from inspiring English sources

The theological theme of the relation of humanity and the world has been described by the 17th-century French scientist and philosopher Blaise Pascal as the doctrine of the "dignity and poverty of man"—i.e., the doctrine of creation and fall and, related to this, the proclamation of salvation and the presentation of a path to salvation.

21 of the Summa, in which Henry deals with the theme of the relation between the being of creatures and the being of the creator.

In addition to this focus on the theme of reductive relations between parts and wholes, Kant also addressed the theme of the relation among different scientific domains in his discussion of sciences having their own distinct concepts and subject matter (Critique of Judgment, §68, 79).

I think the simple "rustic" love of Sam and his Rosie (nowhere elaborated) is absolutely essential to the study of his (the chief hero's) character, and to the theme of the relation of ordinary life (breathing, eating, working, begetting) and quests, sacrifice, causes, and the "longing for Elves," and sheer beauty.

These connections are relevant to the other theme of the relations between parts and wholes because Aristotle utilized his science of elements and their potentials (e.g., as seen in On Generation and Corruption and Meteorology) to inform his description and analysis of organism components in the History of Animals and Parts of Animals.

The theme of the animal, the relation of human and animal, has come to predominate, and on this subject Martel is an original, strange and subtle thinker.

(Here we see the empiricist theme of the "externality of relations": in an assemblage or consistency, the "becoming" or relation of the terms attains its own independent ontological status. In Deleuze's favorite example, the wasp and orchid create a "becoming" or symbiotic emergent unit).

To aid understanding of the location and meaning of different themes and the relation between them we have reported data in tables, with supplementary explanations and examples.

Others are based on drawings Goya had completed in his Sketchbook-journal, in studies where he examined the theme of the grotesque body in relation to the iconography of the tortured or martyred one.

The participant's task was to deduce the theme of relations expressed among the designs and choose the missing figure from among the alternative set of six.

In her excellent introduction to this edition, the novelist Jamie Gordon writes: "At rhythmic intervals — in this respect as much like music as collage — the novel revisits the theme of the narrator's own relations with light, in brief, image rich variations throughout the text, each floating in its own shining white space".