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Sentence examples for interplay of characters from inspiring English sources

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Exact(5)

This is a recurring theme in the piece, conveyed by the interplay of characters as personae and characters as writing.

The production was largely uncontroversial and intelligently conceived, not least in the Council of Trent scene where a stellar cast was moved around with meticulous observation of the interplay of characters and ideas, now in agreement, now in conflict.

It never seems to come alive with any believable interplay of characters; the movie locks itself into a watertight tank of a premise, and the handcuffs won't come off.

It was fun to consider the narrative voice in terms of building materials — glass for the transparent and accessible, or black marble for the impenetrable — and characters as "shapes" — square for the punctilious, pentagon for the unpredictable — and the interplay of characters as the interplay of the shapes.

By the 1970s the play was recognised as a classic, described in The Times as a "dazzling achievement; like The Importance of Being Earnest, it is pure comedy with no mission but to delight, and it depends purely on the interplay of characters, not on elaborate comic machinery".

Similar(54)

Throughout there is a subtle recurrence and interplay of character; threads of connection, sometimes slight, sometimes strong; links of family or neighborhood or professional association or sexual involvement.

He's clearly paid a great deal of detailed attention to how the narrative and the interplay of character is to work – vital in Shakespeare films that can easily get bogged down in versification.

So it's the enthralling interplay of character (Rachel Verinder, the hunchbacked servant girl Rosanna Spearman, Sergeant Cuff, the great detective, and compelling Franklin Blake, Rachel Verinder's cousin) that will hook the interest of most readers.

As the simulation was developed, the interplay of character typologies, attire and idle cycles presented challenges.

One thing that really stands out is the quality of the cut-scenes, the acting, the interplay of the characters on screen – it feels a lot more naturalistic now..

On a smaller scale and with much handheld camerawork, Those Who Love Me Can Take the Train (Ceux Qui M'Aiment Prendront le Train, 1998), about the interplay of assorted characters on their way to the funeral of a misanthropic, bisexual minor painter (Jean-Louis Trintignant), was melodramatic, sentimental and emptily wordy.

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