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Black suffering in schools is one manifestation of the anti-Blackness of our society, in which Black people are viewed with disgust and disdain, as non-humans worthy of violence and death.
Goldsmith himself retweeted angry responses to his reading – "Kenneth Goldsmith: art is not white appropriation of Black suffering.
"It is not acceptable for a white person to transmute Black suffering into profit and fun," she wrote.
Although not all the whites are so unsympathetically drawn – Elise's mother is subtly portrayed as a woman who is coping with life rather than enjoying it – the picture is one of white complacency and black suffering.
It is not that schooling is only a site of Black suffering.
Students are also leading walkouts to protest various forms of Black suffering in schools.
Indeed, Black suffering in schools is a setup, and we are not, and were never meant to survive.
The 47-year-old artist has long been dogged by criticisms, both from black artists and the general public, for the ways in which she depicts black suffering.
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Moreover, statistics show even college-educated blacks suffering disproportionately in this jobless environment compared with whites".
The people who were "crying, my Lord" were blacks suffering under the Jim Crow regime of lynch mobs and sharecropping.
But the resolution went further by including a list of injustices, and then stating in the final paragraph that blacks' suffering should be "satisfied with monetary and substantial reparations".
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com