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One line is "Shake what your mamma gave you".
If you're a native, how did your mamma make it?
Said another aide, who had her arm around Ms. LaBelle: "You're gonna shake what your mamma gave you".
So, if you were weaned on gumbo and you don't like my recipe, I can only apologise to you and your mamma.
Instead of "your mamma's so fat when she lies around the house, she lies around the house!", it could be "your religious beliefs are so obese with self-satisfaction it's totally gross!" Not ideal, I admit.
Laugh-out-loud lines include: "As I travel down the track all my memories flood back/ We were running like infantry men back to your mamma's flat/ It's the only place but home I feel relaxed enough to crap/ I know it sounds crude, but there's something in that".
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You watched your own mamma.
Mind your manners, Mamma.
She explains firmly to the interviewer: "When you are a mamma you summon your mummy powers and you are fearless".
A lot of people think it's straight out of reality, but it's not.' OMM When you finally agreed, in 1997, to let your songs be used for Mamma Mia!, your ground rules were that nothing could be changed.
If your touchstone is Mamma Mia!, which hangs its narrative on pre-existing songs that were never intended to form an ongoing story, it must be slightly odd to see films like Meet Me in St Louis or Singin' in the Rain, in which music, lyrics, plot and characterisation are indivisible.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com