Given the instruments in the young ensemble Miracles of Modern Science — double bass, mandolin, violin, and cello — you might expect to hear chamber or blue-grass music.
Ksenia Luchenko, 32, a journalist who has just completed editing a television documentary about 1970s Soviet intellectuals finding refuge in religion, called the makeover of the park, where she goes with her two young sons, "a miracle".
The young man is a miracle of clay and perhaps of grass.
Betty Hutton is Trudy Kockenlocker, the young woman in THE MIRACLE OF MORGAN'S CREEK (1944), and Eddie Bracken is the nervous bank teller who has loved her since childhood.
Raised on the wrong side of the rainbow nation, in the cold shadow of the post-apartheid miracle, these young women at the forefront of South Africa's culture wars are angry.
"AMAHL AND THE NIGHT VISITORS," which tells the story of a young boy and the miracle that lets him walk again, will be presented by the Little Orchestra Society tomorrow at 11 a.m. and 1 and 3 p.m. at Avery Fisher Hall.
"When you start dealing with a senior bunch of scientists trained in conventional physics and they see a young upstart with a miracle material, most say 'no,' and they say it rather vehemently," says James Collis, who evaluates technology for the logistics division of the Naval Air Systems Command and who has closely followed Branagan's work.
I just watched this miracle of young people who met a week ago snuggling like it was no big deal.
She sees him as marriage material, an eligible young Jewish carpenter-turned-miracle-worker.
His entry in his high school yearbook was prescient, noting that the young man "could work miracles with fishing tackle".
