Sentence examples for yield the stage from inspiring English sources

This means the students have to take and yield the stage, with the yielding part of the dance as well ("no such thing as transitions," Cox says), and they have to breathe in time, with awareness, to make that suspension real.

But Sides makes these men yield the stage to Indians — Apache, Kiowa, Hopi, Comanche, Ute, and, most of all, Navajo.

They yield the stage to Ms. Taylor and Mr. Boal for an accelerated duet packed with beats, swoons, hand-to-hip gestures and snappy lifts.

Or will he yield the stage and spotlight to Mr. Licitra, half his age, for whom some have foreseen a career of Pavarottian promise.

Whether in "Late Night" monologues that satirize the Trump administration or in bits that yield the stage to his writers, Ms. Poehler said Mr. Meyers is always thinking about what his privilege permits him and what it denies him.

Among other things, we learn that Parsons's guitarist Sneaky Pete Kleinow was an animator for "Davey and Goliath" and "Gumby," and that the Burritos once had to wait an hour before playing the Whisky a Go Go because their opening act, a drunken Van Morrison, refused to yield the stage.

And for once, none of them easily yields the stage to Rose.

After Xi spoke Monday morning, he yielded the stage to President Danilo Medina of the Dominican Republic, which this summer cut ties with Taiwan and established relations with Beijing — a move that infuriated the State Department.

Even in the night clubs, however, flamenco was a limited business, a single dance a soleá, an alegrías, anywhere from five to twenty minutes long after which the dancer yielded the stage to the ballad singer or whomever, and maybe got to go on again later in the evening.

Between 1820 and 1920, the restaurant district — in continual pursuit of its wealthy and powerful clientele — hopscotched from Lower Manhattan through Union Square to Madison Square, which, in "the eternal New York story... burned brightly for its appointed hour and then yielded the stage" to Long Acre Square (now Times Square), north of the seedy Tenderloin.

Some of this was accomplished by guest performers, to whom Ms. Williams yielded the stage completely: Steve Earle, who sang "Ellis Unit One," about death row in a Texas jail; the young, Irish, Dylan-esque folk singer Fionn Regan; the New York hardcore-punk-turned-roots-rocker Jesse Malin.