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Then I sat down and wrote this episode.
It's about as serious and uplifting as an average installment of "The Benny Hill Show". The series is produced by Linda Bloodworth, who also wrote this episode.
" It's a moment that's almost Biblical in its savage simplicity and it falls to Carol to do what needs to be done: "She can't be around other people". While much of the credit for The Grove goes to showrunner Scott Gimple, who also wrote this episode (with a nod, perhaps, to John Steinbeck's Of Mice and Men), there's a lot of credit to go around in an episode as strong as this one.
He wrote, "This episode unfolds with a bland sense of familiarity.
"Barely Legal" was written by Kirker Butler, who also wrote this episode.
Scott Gimple wrote this episode, and he wrote Episode 15 which I directed, which is the second-to-last episode.
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Deb Schoeneman, who co-wrote this episode, told me this week that an old thing in TV writing is that the characters should be so distinct from one another that the audience should be able to read any line from the script out of context and know who says it.
The episode's surprisingly Wire-like and effective final scenes – in which Creighton's worried wife, Toni Melissa Leoo), puts on a brave face for their daughter and the camera pans down to his empty car before the theme music begins – bore the hallmarks of George Pelecanos, the novelist who co-wrote this episode with David Simon and co-wrote the penultimate episodes of each series of The Wire.
As E.J. Dionne writes, this episode is a "tipping point" in the Trump experiment.
According to Spotnitz, he along with Chris Carter, were overly ambitious when writing this episode.
After being allowed to come back to produce some Simpsons episodes, Jean and Reiss decided to write this episode.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com