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Although characters pay lip service to rigged or broken systems, although racism is presented as a force that shapes not only relationships but outcomes, most of the novel's data points are swept up into a different argument, about how human beings wrong each other, shattering their proper unison.
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WRONG FOR EACH OTHER By Norm Foster; directed by Christopher Goodrich; production design by Thomas Hallbauer; sound by Dennis Michael Keefe; technical director, Peyton Thomas; stage manager, Rebecca L. Yarsin.
If you and the other part have both wronged each other, then you both have to find a place that allows you to truly forgive the other person, even if it's impossible to really forget what happened.
There was nothing wrong with either of us, but we were completely wrong for each other.
Even when they should be wrong for each other".
Many prove wrong, contradict each other or remain unconfirmed.
They're all wrong for each other, right?
You're right and wrong for each other, and neither one can say that.
Jan and Michael are so wrong for each other, rubberneckers can't look away.
These two characters are wrong for each other, and not just in the opposites-attract sense.
I think we both knew we were wrong for each other but didn't care.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com