Of his greatest creation, Isaacs today writes "Channel 4, my baby, is not a baby any more".
"It may not be crammed with soundbites, but boy, does Avatar ever look good," writes Channel 4 Film's Catherine Bray.
Grisoni, who previously wrote Channel 4's hard-hitting Red Riding Trilogy, added: "Rather than analyse or moralise about our characters' actions, we share in them".
"With the dialogue-free first act of WALL-E, Pixar challenged the assumptions underlying family animated movies," writes Channel 4 Film's Matthew De Abaitua.
"Any purists who argue that this Alice doesn't work because it strays so far from the text are wrong," writes Channel 4 Film's Catherine Bray.
"How To Train Your Dragon is a joyously absurd adventure that wears its themes lightly," writes Channel 4 Film's Anton Bitel.
"Sex & Drugs & Rock & Roll is a truly life-affirming and brilliantly unsentimental celebration of the Mockney and his music," writes Channel 4 Film's Ali Caterall.
"It's the comic role of a lifetime for Jim Carrey, who apparently worked for union rates in order to help the film get made," writes Channel 4 Film's Catherine Bray.
Jeremy Isaacs writes: Channel 4 was charged, by Act of Parliament, with providing a "distinctive" service; as its commissioning editor for the arts, Michael Kustow did much to make that promise good.
This is her second series of the year – she also created and wrote Channel 4's slightly underwhelming Crashing – but you get the sense that, if Fleabag doesn't go supernova for her, something else will soon.
"An enjoyable family movie, with some great flight sequences – and there's an interestingly realistic sense of the dangers involved in risking your neck for others". "How To Train Your Dragon is a joyously absurd adventure that wears its themes lightly," writes Channel 4 Film's Anton Bitel.
