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Uncle Alfred, who died in 1970, had scored everything from Modern Times to The Grapes of Wrath, and other family members have written, arranged, orchestrated or performed the music for enough films to start a video emporium.
(I guess technically it's a song rather than a phone call, but you left it on my answering machine, so I'll refer to it as a call, even though it was "written, arranged, composed and produced" by you and features verses, a chorus, and a guitar solo).
"The Winter Song" was written, arranged and produced by members of Eisley.
From the outset, this duo, who are originally from Greensboro, North Carolina, has written, arranged and produced their own music.
Every single tune you know from the 1940s until the 1970s was written, arranged, and demoed in the Brill Building.
The 14-track score was written, arranged and produced by Salisbury and Barrow with accompaniment from The Bristol Ensemble on Strings, Koenraad Ecker on experimental cello and Elizabeth Purnell as orchestrator and conductor.
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He also wrote, arranged and sang, and performed on the viola, mandolin and mandola, and guitar.
Leander wrote, arranged and produced 11 consecutive Top 10 Glitter hits, playing every instrument bar the horns himself.
For Love Unlimited's Walking in the Rain, he wrote, arranged, produced, and deployed a telephone manner that will not be surpassed should humanity survive another million years.
By the time Public Enemy was recording, such distinctions had broken down from both ends: performers wrote, arranged, and produced their own material; engineers made as significant a musical contribution as anyone else to the creation of a recorded sound.
I wrote, arranged, and produced them, but they were performed with other vocalists and musicians.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com