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Hughes mapped an England of 'stilled legendary depth'; Hill writes a language of great battered allure, of coiled compounds and stiff historicity; and Heaney, using what he has called 'a music of binding and of loosing', fattens his words with sediment, the sediment of crossed (and cross) English and Irish pasts.
He writes, "A language is less a sum of signs (words, grammatical and syntactical forms) than a methodological means of differentiating signs from one another, and thereby constituting a linguistic universe of which we later say--once it is precise enough to crystallize significant intentions, and to have it reborn in another that it expresses a world of thought…" (PW, 31).
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com