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The week before the writers moved in, Flux's president, Morgan Meis, gave a tour of the unfinished boxes.
When she was 2 her parents, both writers, moved to New York.
All of these writers moved in the sphere of English letters and with the exception of Goldsmith politics, and to that extent they were insiders.
As the Wall Street Journal reported in 1972, those writers moved to other spaces set aside for research and composition: the Typing Room and the Wetheim Study.
After the writers moved on, machines, more and more, took the place of handwork and workhorses, and these farm implements grew ever bigger, more powerful, more expensive.
In addition to these domestic authors, many Hong Kong writers moved abroad in the last decades of the 20th century and gradually built up small overseas writer communities in such countries as Canada, the United States, Britain, Australia, and Singapore.
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Aspiring writers move to New York City.
He remarked upon the subgenre tirelessly exemplified by Peter Mayle and Frances Mayes, wherein English-speaking writers move to dilapidated houses on the Continent.
Within the limits of these carefully hedged bets, the writers move deftly from fantasy to comedy.
What makes "Provence 1970" so insightful is the picture that it gives of these food writers moving on from the France that they once loved so passionately.
Cross-pollination in reading and writing is a good thing: writers moving into new storytelling areas, kids reading "adult" books, adults reading "kid" books.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com