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The term itself is grandiose, with its implication that writers contain within them great wells of creativity to which their access is merely impeded.
Files on these writers contain information compiled by the F.B.I. & in addition references information from the C.I.A., the Immigration & Naturalization Service, the State Dept., & the intelligence branches of the military services.
Files on these writers contain information compiled by the F.B.I. and, in addition, references and information from the Central Intelligence Agency, the Immigration and Naturalization Service, the State Department, and the intelligence branches of the military services.
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The collection, presented as the work of several different writers, contains an introduction and eight fairy tales, seven of which had been previously anthologized.
In rows beneath them, more neatly printed cards (Schnauz, who had the best handwriting on staff, was the deputised card writer) contained detailed story points.
Another feature of this database is that page 1 and page 3 for each writer contains an arbitrary text from the writer's own imagination in Arabic and English, respectively, while page 2 and page 4 of each writer comprises a fixed predefined text (in Arabic and English).
The first season episode "Jack the Writer" contained a self-referencing walk and talk sequence, which was commonly used on Studio 60 on the Sunset Strip and Sorkin's previous series.
The first season episode "Jack the Writer" contained a self-referencing walk and talk sequence, which was commonly used on Studio 60 on the Sunset Strip and Sorkin's previous series The West Wing.
At least five 30 Rock episodes have briefly parodied Studio 60: * "Jack the Writer" contains a self-referring walk and talk sequence, such sequences being commonly used on Studio 60 and Aaron Sorkin's previous shows.
Interestingly, writers often contain domains which can read chromatin marks, allowing the reinforcement of modifications through a positive feedback loop or inhibition of their activity by other modifications.
As well as too many of these, the present collection of New York Times columns by various writers also contains memoir-morsels that are more about places (Paris, New York) or people than about food.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com