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Now that I've watched "Bacon & God's Wrath," I will.
At the risk of incurring the artist's wrath, I removed the headphones and relaxed into the Armory's reverberant acoustic, which resembled that of a cathedral after hours.
"Only on paper!" I used to admonish nervously, reliving the maternal wrath I once incurred after "decorating" my childhood bedroom wall with wild-style wax crayons.
He went and saw [the 1940 film] The Grapes of Wrath, I was told, and wrote Tom Joad in one night, this whole epic song with umpteen verses.
She's been in love with America, or at least a highly colored view of hardscrabble America, since she was a schoolgirl, listening to Gram Parsons and Bill Monroe and reading "The Grapes of Wrath": "I loved Steinbeck.
Another writer-hero whose wrath I had cause to fear, and whose path I had a good chance of crossing (we share an employer), was the poet Craig Raine, whose first novel Heartbreak I had reviewed without mercy.
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I've had a schoolgirl crush on him since I read "The Grapes of Wrath" when I was 11.
I once incurred Jospin's wrath when I met him after we finished playing tennis on adjoining courts.
A dispossessed farmer asks in Steinbeck's The Grapes of Wrath (1939), "Isn't there anybody who knows what a shotgun is?" Thorstein Veblen asks the same question in Absentee Ownership: the Case of America (1923) and, in both cases, the question is, sadly, rhetorical.
Or consider "The Grapes of Wrath," which I'd come to think of it as a slightly corny artifact.
It's like Tom Joad at the end of Grapes of Wrath – whenever I'm playing for Occupy, or people fighting the British National party, even if there's only two people listening, that's in the spirit of Woody Guthrie".
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com