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For him, after nearly 20 years at MOCA, going through the collection to pick this array of its finest works was like going through old school yearbooks.
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Painted in matte, light-absorbing tempera, the untitled works are like beautiful but inscrutable monoliths.
Work is like dancing without a beat.
Some works are like inside jokes.
"My works are like time bombs," Mr. Othoniel said.
Bradford's works are like maps you can't read.
Some dance works are like articles in an intellectual quarterly.
Both these works were, like "Opera," deconstructions of the genre.
But it is less successful at conveying what the finished works were like.
Some works were like mini-dramas from operas, for example, Monteverdi's madrigal "Lamento Della Ninfa".
Viewing these works is like browsing through an issue of Artforum magazine from about 1970.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com