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Their works drew a mixed response.
As the quality of his later work declined, his vintage works drew increasing profits.
Two works drew, in very different ways, on sounds and moves from Indonesian gamelan music.
Several of the works drew on the dark, melancholy spirit that dominated so much late Tudor music.
These works drew on Ewe oral traditions but also allude to Dante, Pablo Neruda, TS Eliot and European writers.
The spaciousness of the works drew attention to the superb playing of the quartet and especially to its sound, which glows even with the most minimal use of vibrato.
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Some works draw on premodern sources.
A massive book of his works, drawn from Mr. Greenberg's collection, is due next spring.
His works draw both from traditional African and contemporary classical heritages.
Both works draw on imagery from what might be described as our collective cultural memory.
In all there are 40 works, drawn almost entirely from the Morgan's collection.
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