Sentence examples for work suite in from inspiring English sources

Exact(1)

Not until his last stage work, "Suite in Three Keys," had Coward, as Day writes, "dealt overtly with the subject of homosexuality.

Similar(59)

Police arrived at al-Jazeera's temporary work suites in Cairo's Marriott hotel on Sunday night, arresting bureau chief Mohamed Fadel Fahmy and veteran correspondent Peter Greste.

Manhattan & Bronx calls are handled by 3 girls who work in a suite in an apartment house over on E. 30th St.

Take the opening work, an untitled suite in three movements, "Arrival," "Sickness and Death" and "Memory," by the Brazilian pianist and composer Marcelo Zarvos.

Roussel turned toward a Neoclassical style, using modern techniques in such works as his Suite in F (1927) for orchestra and the Sinfonietta for Strings (1934).

David Wain, who was working in another suite in the same building on his show Wet Hot American Summer: First Day of Camp, popped his head into the meeting to say hello.

The work, a seven-movement suite in a mildly dissonant, angular style, captures some of that duality: in the early movements playful sections collapse into anxious, dark writing, and in the later movements the music's tensions gradually clear, though the innocence of the opening Prologue is not quite mirrored in the Bartokian passagework of the Epilogue.

Then, just when Byron seems to have hit bottom, he meets an elegantly dressed, smooth-talking stranger who works in a mysterious suite in the shabby Pasadena building where Byron rents an office and who offers a solution to the unhappy writer's problems.

ARIUM: VASSILY PRIMAKOV The impressive young Russian pianist, a favorite at the downtown café and concert space, joins the cellist Diliana Momtchilova to perform works by Bach (the Suite in C Major for Cello Solo), Fauré, Debussy (the Sonata for Cello and Piano), and Schubert (the "Arpeggione" Sonata).

There will be United States premieres by Christopher Wheeldon, who is creating a work to Stravinsky's "Pulcinella" Suite in honor of the 2009 Ballets Russes centenary, and by the Canadian choreographer Emily Molnar.

Schoenberg first used his 12-tone technique in an entire work in his suite for piano in 1923.

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