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Nightcleaners was intended as a propaganda film, but became a seminal work of documentary art.
The first is a restaging of "The Laramie Project," a work of documentary theater drawn from interviews with people in Laramie following the killing.
But, before Wal-Mart begins shooting off its pop guns, let me say that Greenwald's film could not possibly be confused with a work of documentary art.
This is true of the work of documentary filmmakers who got their start in the sixties, too, such as the Maysles brothers and D. A. Pennebaker — but Wiseman, whose first film, "Titicut Follies," dates from 1967, seems to be different.
Isaacson, though, relays the findings of a new work of documentary scholarship, Martin Kemp and Giuseppe Pallanti's "Mona Lisa: The People and the Painting" (Oxford), which establishes Caterina as a sixteen-year-old orphan from a neighboring hamlet, quickly married off to a local farmer to avoid awkward situations.
It featured in the work of documentary and press photographer Bert Hardy, who photographed it from Benwell, using it as a backdrop whilst photographing a mother and child.
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The result is an extraordinary, courageous work of documentary-making, austere yet emotive, which records soup distribution and riots alike with the same steady, unblinking gaze.
Now, at 49, after years of working on documentary films about the likes of Ulysses S. Grant, Jimmy Carter, Ronald Reagan and the Churchills, Ms. Bosch has for the first time turned her attentions toward home.
"West of Memphis," a work of fierce documentary advocacy directed by Amy Berg ("Deliver Us From Evil"), follows the successful crusade to free three men convicted of murder 18 years ago in a sloppy, hysterical rush to justice.
The film that emerged (now a Criterion Collection release) is a pioneering work of the documentary movement that came to be known as cinéma vérité (after Morin's translation of the Soviet filmmaker Dziga Vertov's phrase "kino-pravda").
More than that, though, his profiles often have the apparatus of personal quests, and offer little insights into the sometimes lonely work of getting documentary stories on a printed page.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com