Sentence examples for with the particularities of from inspiring English sources
Gawande's clinical reports, thick with the particularities of people's passions, the singularity of their existence, suggest that what matters is the individual.
As an adult, he lived in physical and psychic exile from Asheville, North Carolina, where he grew up, and his writing is both obsessed with the particularities of that past and an aggressive act of rejection.
Dr. Hamilton, whose work on the genetic basis for altruism inspired both Dr. Dawkins's book "The Selfish Gene" and E. O. Wilson's "Sociobiology," taught him that "the big ideas were not in conflict with the particularities of natural history".
Many a young person has come to New York for a restart; the narrator of this beguiling first novel, which is much concerned with the particularities of place and conduct, does it after a nitwit move by her fiancé in Wisconsin renders him quadriplegic.
There are comparisons to be had with Thomas Mann's The Magic Mountain, Margaret Atwood's Surfacing and Charlotte Perkins Gilman's The Yellow Wallpaper, but this novel is less concerned with the particularities of possible madness than in the interiority of the mind of anyone even slightly sensitive.
In this paper, we present a new key term extraction system able to handle with the particularities of "support documents".
Maybe, although many of us believe that fiction is properly concerned with manyness, the particularities of identity, which Salinger once told his daughter are all Maya, or illusion.
Sound, sense, space – everything arrives at once and the reader is engrossed with the particularity of the experience.
And I have hugely enjoyed Anne Enright's The Green Road (Jonathan Cape): richly and sensuously realised, it's vivid with the particularity of places and people and bruisingly intelligent.
It must have been suffocating to be so mixed up like that, especially for Brennan, who was obsessed with the particularity of things.
"The Innocence of Objects" is partly a manifesto for the power of demotic objects to tell grand narratives, partly Pamuk's love affair with the particularity of one moment in his city.
