Sentence examples for with interjections from inspiring English sources

The violins took up the moments where, normally, on her albums, you'd hear Jepsen ad-libbing with interjections.

Never content to let simple statements stand, he splits them open with interjections -- interjections! -- and garlands them in qualifiers and dependent clauses.

In "You've Been a Good Ole Wagon," as Smith taunts her ex, praising the talents of her new lover, Armstrong almost upstages her with interjections on his muted cornet, mimicking the discarded fellow with sobbing, growling, and stuttering effects that resolve into supple arpeggios.

Brigid Lowry's Triple Ripple (Allen & Unwin, £6.99) is a clever and original fairy story with interjections by the New Zealand-based writer and a modern reader – the former discussing authorial quandaries and decisions, and the latter responding to them while she deals with trauma in her own life.

Tech companies lobbied for computer science to be added to the set of core subjects and many from the arts world complained the new qualification would squeeze out creative subjects, with interjections from sources as varied as Jude Law and Tracey Emin.

The mostly hostile crowd in central New Jersey shouted throughout the event, with interjections such as: "What about the taxes?", "Answer the question!", "Issue a subpoena!" and "Do your job!" Topics ran the gamut from Russian election interference and Donald Trump's travel ban to the environment, abortion and healthcare.

It is freckled with Joycean neologisms ("shivergreen," "saltsplash," "splutterance"); it hiccups with spastic interjections; it's an erudite yet barking mad novel about barking madness.

The album features a dozen of his compositions for jazz combo and string quartet, with tasteful interjections; this engagement will feature the combo alone, with Stacy Dillard on saxophones, Orrin Evans on piano and Donald Edwards on drums.

It is traditionally performed by a singer-narrator (kwangdae) and a drummer (kosu), who marks phrases with rhythmic patterns on a barrel drum (puk) and with vocal interjections (ch'uimsae).

The album features a dozen of his compositions for jazz combo and string quartet, with tasteful interjections; this one-nighter will feature the combo alone, with Stacy Dillard on saxophones, Orrin Evans on piano and Donald Edwards on drums.

Anthony Korf's two-movement Duo for clarinet and piano (2003) also features contrasting moods, beginning with a wistful opening section whose hazy repeated piano chords are overlaid with languid interjections from the clarinet.