Sentence examples for with impressive command from inspiring English sources

Tazawa throws his fastball — which is a solid major league average of 91 or 92 miles per hour — with impressive command, even inside.

In MacMillan's motet the women of the Glasgow Chamber Choir sang with impressive command to cast a clammy gauze of sound around medieval French-Cypriot antiphons from the gents and a silvery, nimble solo violin.

"I think Californians are looking for someone with the right experience, someone with an impressive command of the issues, someone who will stand up and say what he thinks.

As she demonstrated while running against Barack Obama in 2007 and 2008, and again during this year's Democratic primaries, she is a strong debater, who combines an impressive command of the issues with an ability to think on her feet.

Throughout the book Ogden displays an impressive command over (and rapport with) her mesmerist archive.

In this, Miles is following the lead of author Hilary Mantel, whose sprawling fictional portrait of Cromwell in the Booker Prize-winning novels "Wolf Hall" and "Bring Up the Bodies" has given rise to the Royal Shakespeare Company's excellent — though by no means problem free — two-part production, staged with impressive logistical command by Jeremy Herrin.

Garloff has an impressive command of the relevant secondary literature, which she invokes with a light touch, and she creatively mobilizes cultural theory like Homi Bhabha's notion of colonial mimicry to highly productive ends.

Harrison is a writer in impressive command of her craft, but she is also a thinker with a penchant for analysis, an intense interest in the sexual, an ability to see past superficial characteristics to an animating force.

Stephan Reebs has an impressive command of the relevant literature.

Mansbach has an impressive command of graffiti history and lingo, and dialogue in general, but he smothers his story with all his magic staircases, and his magic weed, and his ambiguities.

Ms. Hallynck showed an impressive command of tone and color in the slow introduction to the Beethoven, especially in how she would start a note with white sound and gradually introduce vibrato.