Sentence examples for with an interviewee from inspiring English sources

Slightly embarrassingly – and this is the first time I've ever done this with an interviewee – I've brought one of his books to get signed.

"Uh... .. Faced with an interviewee who refused to shriek like Abi Titmuss caught in a lift with Fran Cosgrave and Calum Best, Cotton gave up and slunk off.

The evening is framed by scenes with an interviewee who didn't quite get the deal and kept trying to persuade Blythe to pay him for his words with sex: 'You are quite good to my taste.

Both traits are consistent with an interviewee seeking to hide behind the nearest passing polar bear.

Interviewees from both perceived a situation of negative dependency for the EU (See Personal Interview 2), with an interviewee from DG Energy explaining that with regard to energy policy, 'the overlapping objectives are mutually reinforcing in terms of maintaining both priorities high on the agenda of EU and constituent members' (See Personal Interview 3).

Be shameless in asking people to help you find the perfect hire; after all, most people enjoy helping contacts find job opportunities. 5. Be flexible with an eye on the long term If you come across an interviewee with excellent pedigree but they do not exactly fit the role you want to fill, consider whether there is room to hire them anyway or whether in time you could train them.

Such an interviewer knows, for example, that he must avoid anything like a rehearsal with the subject, because an interviewee will never answer a question the second time with the conviction he displays in answering it the first time.

So, Number One, I need an interviewee with an incredible will to communicate; somebody who is going to talk to me; somebody who could go scream it on a mountaintop.

For example, while MOH officials at the national level report offering week-long courses, an interviewee with a part-time MOH affiliation alleged: [The MOH] was trying to form courses, but with many deficiencies….

Faced with an uncooperative interviewee in editor Alexandra Shulman, and studiously avoiding any insight into fashion, journalism or print media, documentarian Richard Macer opts to narrate pedestrian office machinations with the kind of pace and faux wide-eyed wonderment you might employ if you were reading a bedtime story to a two-year-old child.

A session often begins with an effort to dampen an interviewee's dreams of becoming the Shelby Foote of the new series the alpha anecdotalist.