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Mr. Leth knows how to evoke a gritty urban ambience, along with a vertiginous unease.
"A tattoo artist and his son," records a young man with peroxided hair, holding a child with a vertiginous Mohawk who resembles a young witch.
It extends the theme of Anderson's recent "Talk to My Car" commercial — a child's-inner-eye view of technology — and closes with a vertiginous leap of imagination that clarifies something important about his movies.
It wheels and gyrates and zips and pivots with a vertiginous wonder that declares, from the beginning, that Lucas had big visual ideas and was about to realize them with a heroically inventive virtuosity.
The real star of the film is the décor: the elaborate settings of Plexiglas and chrome, video monitors and glass walls, mirrors and garish colors, evoke a denatured world of visual illusions, and Fassbinder films them with a vertiginous exuberance.
It extends the theme of Anderson's recent "Talk to My Car" commercial a child's-inner-eye view of technology and closes with a vertiginous leap of imagination that clarifies something important about his movies.
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And then, in the same gallery, we suddenly reach Akbar's court, with a delicately realistic image of the young soon-to-be emperor out hawking with noblemen, crossing a vertiginous slope face of dust-colored rock; bright color is allotted only to the hunters' clothing and steeds.
Fassbender describes the entire experience, with some humility, as a vertiginous learning curve.
She exposes the most painful moments of an average, sad youth, including a heartbreaking scene in which her mother finds her in bed with a boyfriend, and a vertiginous description of watching her alcoholic father die on the couch.
Maybe what it boils down to is one moment's knowledge of the miracle of life, with its inevitable concomitant, a vertiginous glimpse of the capacity to be hurt, and the capacity to inflict that hurt.
"Maybe what it boiled down to is one moment's knowledge of the miracle of life, with its inevitable concomitant, a vertiginous glimpse of the capacity to be hurt, and the capacity to inflict that hurt," Bangs wrote of Morrison's wounded vision.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com