Sentence examples similar to wind bell from inspiring English sources

The phrase "wind bell" is correct and usable in written English.
It can be used to refer to a bell that is activated or produces sound by the wind, often found in gardens or as decorative items.
Example: "The gentle sound of the wind bell added a soothing ambiance to the peaceful garden."
Alternatives: "wind chime" or "breeze bell."

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To raise money, he cast bronze wind bells that were sold at museum stores.

The work, by unpaid students, proceeded slowly and was partially financed by the sale of the ceramic and bronze wind bells Soleri produced.

How refreshing to hear Japanese wind bells and vibraphone glistening exotically in between Haydn and Schubert, but the moments of chaos also left an impact.

Western bells are invariably rung by a metal striker; Asian bells, except for metal-clappered hand and wind bells, are normally struck by a wooden hand mallet or swinging horizontal beam that engages the exterior wall.

Originally designed to house 5,000 people, Arcosanti has never grown large enough to accommodate more than a few hundred followers at a time, some of whom have supported themselves by selling wind bells designed by Dr. Soleri.

Back in Philadelphia, Ms. Connaughton loaded up the car ("I need a lot less stuff than I did before," she said) and headed west to cast ceramic wind bells.

It was here, too, that he learned the techniques of ceramics and bronze casting, which became the central activities in Arcosanti's production of wind-bells – sold as the town's only source of income.

They fell silent, and a breeze through the garden awakened a bell-shaped wind chime, a gift from one of their grandchildren -- the bell now gently tolling the hour of transition.

During the late 1970s, Peart augmented his acoustic setup with diverse percussion instruments including orchestra bells, tubular bells, wind chimes, crotales, timbales, timpani, gong, temple blocks, bell tree, triangle, and melodic cowbells.

Yet even in high winds, the bells toll softly.

The Christian and the nonbeliever both felt the power of archaic sacredness: Varese wrote music for the Mayas, and Messiaen composed a monumental threnody for wind instruments, bells and gongs with images of colossal Mediterranean and Mesoamerican temples stuck around his desk.

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