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A willing reader will tolerate swathes of difficult prose, if sensing a rewarding moment of Nabokovian aesthetic bliss or, lower down the scale, of wisdom.
From this simple beginning, and these careful details, Enright constructs a world that completely sucks in the willing reader.
It's a real attempt to make the subject his own and take a willing reader along with him.
The willing reader's effort in reading your verses and trying to reconstruct the state of mind that inspired them is rewarded by a number of clear, luminous sensations, and some images that work well.
The allegory is complex and, as Demers admits, "tedious" for even the "willing reader".
All it takes is a counselor, a meaningful story and a willing reader.
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Another question is how willing readers will be to revisit the Napster debacle.
The content of this book will assist willing readers as they work to ever refine their digital and online marketing efforts now that the ability to measure those efforts is so accessible for us all.
As soon as the gatekeepers and opinion formers agree to take this as a central tenet, both the outrage and self-flagellation can stop and we can all get on with the hugely enjoyable task of helping talented writers find their ready and willing readers.
(Full disclosure: Whenever one of my books is published, part of my get-out-the buzz campaign is to give tons of books away to willing readers. Is that the same? I don't think so. I'm sure you'll let me know if you disagree).
Conversely, the reader willing to work through Derbyshire's presentation will understand something of Riemann's insights.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com