Sentence examples for widescreen shots from inspiring English sources

Other than some striking widescreen shots of South Dakota and a persistent and impassioned score, there is very little stylistic artifice here: no clever camera trickery or exclusive exposés.

Bruno Dumont's L'humanité opens with a widescreen shot of a horizon, bare but for a couple of trees; a man appears on the extreme left, and you realise with a sinking feeling the camera is going to stick with him till he's toiled all the way over to the right.

If it's David Lean, we must start with a bold, widescreen establishing shot that sets out our stall.

Levring's film tips its Stetson to John Ford and Sergio Leone with bold widescreen visuals – daytime shots in which even the sun looks sunbaked, prairie nightscapes resembling ink-soaked denim.

The fact is television has pretty much ruined swearing, bringing with it the recurrent widescreen close-up shot of the swearing player, mouth clenched in serrated fury, eyes pinholes of hate.

Their main assignments included the Zero-X launches, re-shot, widescreen launch sequences for the Thunderbird machines, the car chase between Lady Penelope and Parker in FAB1 and the Hood, scenes at The Swinging Star, the Mars shots involving the MEV and the mysterious Rock Snakes, and the ultimate destruction of Zero-X in the climax.

Big Eyes is gorgeously shot in widescreen colour.

Crisply shot in widescreen with subtitles and a lot of the dialogue in English.

Shot in widescreen in stunning black-and-white 35 millimeter film and directed by Kaneto Shindo, "Kuroneko" had a brief run in New York in 1971 and doesn't seem to have been back since.

Shot in widescreen, the film has a tableaulike monumentality, whether the camera is prowling through the corridors of the decrepit apartment blocks where much of the story unfolds or pulling back for a bird's-eye view.

Shot in widescreen and color by Coutard, Contempt is almost ridiculously gorgeous to look at, inflected primarily by Godard's career-long obsession with the color red (JLG loves red almost as much as Michael Powell did), and graced with enviably smooth and elegant tracking shots, some of enormous length and complexity.