Sentence examples for whose sections from inspiring English sources

Or you might dream of Confluences, a Ligne Roset sectional whose sections lean into one another like cozy family members.

How could I resist a movie whose sections are named for quarks?

Lighter and very finely crafted, it is static, in contrast to Colombo's piece, whose sections swivel at will.

The Pakistani Taliban, some of whose sections seem to be the most closely linked to Al Qaeda, number in the thousands at the least.

Mr. Koch's firm was recently commissioned by Philips to create a prototype wall of OLED light, whose sections light up in response to movement.

The salon has been recast as a decorative folding screen, whose sections grow smaller as it unfurls; viewers may feel as discombobulated as Alice after eating the cake.

In 1998, the US Congress enacted the Digital Millennium Copyright Act (DMCA), whose Section 1201 makes it a felony to bypass or tamper with "access controls" (today we call these "DRM" or "digital rights management").

Sensenbrenner, the author of the Patriot Act, whose Section 215 provision the government uses to justify the bulk phone records collection, warned Cole and other officials on Wednesday: "You have to change how you operate Section 215, otherwise in the year and a half, or two and a half years, you're not going to have it anymore".

This isn't exactly a warrant; it's an order to turn over "tangible things"; it refers to the Patriot Act, whose Section 215 allows the government to ask for "business records" that are "relevant" to an investigation, and that is what the government has decided to call these communication records.

Except for journalists, people seeking to attend the conference were required to sign the council's Statement of Faith, part of whose section on human sexuality said, "All Christians are called to chastity: husbands and wives by exclusive sexual fidelity to each other and single persons by abstinence from sexual intercourse".

Halsall, whose section in Little Stitches interlocks the monologues of 14-year-old Safa, who is subjected to cutting, and a doctor later confronted with her case, said she was keen for the piece to explore the long-term psychological damage caused by the practice, rather than the physical trauma alone.