Sentence examples for whose distinctiveness from inspiring English sources

(And, of course, among the greatest of filmmakers in the era Thomson loves is John Cassavetes, whose distinctiveness as an artist is reflected in his distance from the studios and in the difficulties he faced when he did work with them).

The complex history of the formation of the United Kingdom created a "particular sense of nationhood and belonging" in Great Britain and Ireland; Britishness became "superimposed on much older identities", of English, Scots, Welsh and Irish cultures, whose distinctiveness still resist notions of a homogenised British identity.

The available nomen for this putative species is H. heidelbergensis [15], whose distinctiveness stands on the retention of a number of archaic traits combined with features that are more derived and independent from any Neandertal ancestry.

We were specifically interested in addressing questions regarding the taxonomic status of three sets of species whose distinctiveness from one another and thus conservation status had previously been questioned: A. acuta and A. tenella, A. tenella and A. obtusifolia, A. decemloba and A. obtusifolia.

All of this literary production was accompanied by a strong essayistic tradition whose main topic was the distinctiveness of Latin American culture and, within that culture, the individual cultures of the various countries.

Mr. Muller said that Spyker's distinctiveness and passion actually made it an ideal steward for Saab, whose Swedish quirks and personality were a big part of its appeal.

Since this analysis implied a reduction in the distinctiveness and importance of operating systems, Netscape's meteoric ascent was widely seen as a challenge to Microsoft, whose control of DOS and Windows OS had made it the dominant force in personal computing.

Whose crime and whose punishment?

Film and television are so much better at creating the illusion of real life that theatrical naturalism is exposed as artifice.The success of Shared Experience, and of increasing numbers of mime-trained companies like Theatre de Complicite, whose first New York show in 1996 was a sell-out, suggests that the theatre is at last shifting to celebrate its distinctiveness.

Depends on whose mind, whose soul.

And know whose socks are whose.