Sentence examples for whose craftsmen from inspiring English sources

Fez, the symbolic heart of Morocco, the oldest of its imperial cities, the most highly cultured and cultivated, whose craftsmen are agreed to be the finest in the country, whose architecture is the most dazzling, whose intricate tiled zellij designs are second to none, and whose medieval medina is one of the largest in the world, is not Paris or Rome or Barcelona.

Nascar fans may be rabidly loyal to the sponsors whose logos dot the vehicles like a highly profitable pox, but truck-racing fans are the most loyal of all, said John Lebbad, the director of event marketing and promotion for Sears, Roebuck & Company, whose Craftsman tool brand sponsors the truck series.

Blacksmiths en route, the very craftsmen whose livelihoods were endangered by cars like Jackson's, fixed the axles.

For "Small Towns," Barney "started by photographing holiday parades with the local marching bands, craftsmen whose families had worked in the same locations for decades, such as metal workers, stone carvers, garage mechanics, and carpenters.

The inaugural exhibition features the work of Domeau & Pérès, the French master craftsmen whose product line includes leather-covered furniture and objects by designers like Ronan and Erwan Bouroullec, Martin Szekely and Marc Newson, as well as a bicycle by the creative multitasker Pharrell Williams.

She has a splendid section on a fake bust of Flora "by Leonardo da Vinci" which took in the art world, and on the professional forgers – often highly skilled craftsmen – whose work sometimes stayed undetected in museums for decades.

What appeals to me about The Wizard Of Oz is the tension between the artists and craftsmen whose work made the movie so enduringly magical and bizarre, and the ever-staid MGM front office.

The auction house was founded in 1766 by James Christie, whose friendship with craftsmen and artists turned his house into a gathering place for art collectors, dealers and high society.

A more substantive contrast might be drawn between the approaches of two filmmakers — both steeped in the history of popular cinema and both brilliant craftsmen whose skill inspires admiration, as well as a measure of suspicion — to a subject full of pain and fraught with peril.

After the Taika-era reforms (ad 645) asserted imperial rule over the various uji, all be were abolished with the exception of those for specially skilled workers such as musicians and craftsmen, whose services were transferred from the imperial family to individual governmental departments.

Brush does not see himself as a late 20th-century Tiffany, Cartier or Faberg, whose studios employed craftsmen to carry out their designs.