Exact(2)
Odabella, despite her Amazonian nature and thirst for vengeance over Attila, introduces herself with an aria whose accompaniment is deliciously impressionistic in its instrumental delicacy and variety.
Many of them are classics, in particular the five blues recorded in April of 1958 with Roy Eldridge, Vic Dickenson, Hodges, Billy Strayhorn (whose accompaniment is spiky and rueful), and Sam Woodyard, and the four blues set down by almost the same group several months later.
Similar(58)
Filling in for the other seven pianists, Mr. Renzi, whom Ms. Kole introduced as "the greatest vocal accompanist ever," demonstrated his extraordinary grace as a pianistic arranger whose accompaniments have a panoramic orchestral sweep, their parts connected by gorgeous long-lined runs that keep a low enough profile to avoid conspicuous showboating.
One of those few was @ColleyRachel, whose musical accompaniment was John Cage's "4'33"" as her record.
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Stephenson has written before about Clark, and I've written here about those pieces; he offers a terrific introduction to the life and work of a musician who was one of the luminaries of modern jazz from 1953 through 1962, a hidden hard-bop hero whose compositions and accompaniments endure in vastly great disproportion to his profile as a bandleader.
The most compelling attraction, however, is the interplay between the band's founders, the vocalist Jennifer Charles and the guitarist Oren Bloedow, whose subtle and tasteful accompaniment defines the group's sound.
This was a competent but not entirely persuasive interpretation of the sonata, whose balance of melody and accompaniment represented a new development in Beethoven's musical language.
But the main draw at the Apollo, as in the few other places around the country where the movie has screened, was a live accompaniment by Wynton Marsalis, whose repurposed music makes up much of the soundtrack.
Virtual orchestras -- whose computerized electronics simulate musical accompaniment -- are used to flesh out small groups of musicians by several touring theatrical companies, but thus far their use in New York has been to augment large complements of live players.
Pared down to Classical proportions for Mozart's Violin Concerto No. 3, the orchestra provided pert, effervescent accompaniment for Itzhak Perlman, whose playing radiated wisdom and persuasive soulfulness.
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Justyna Jupowicz-Kozak
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