Sentence examples for who inscribed from inspiring English sources

It was a gift from the President, who inscribed it, "Thanks for helping create a more equal and just society".

Imagine Alexander the Great's weary generals on the run and hiding here from their maniacal leader, or later Lord Byron, who inscribed his signature on the wall.

Its frescoes were painted a half-century later, mostly by anonymous masters, except for a certain Marcu, who inscribed his name to the left of the entrance.

The well-connected Clergue became De Plata's manager for a while and in 1964 introduced him to Picasso, who inscribed his guitar.

Mr. Breer, who inscribed his images on 4-by-6-inch index cards, devoted considerable ingenuity to undermining traditional narrative structures and speeding up the delivery of images to the viewer's eye.

Berthoud and Elderkin trace the method of bibliotherapy all the way back to the Ancient Greeks, "who inscribed above the entrance to a library in Thebes that this was a 'healing place for the soul.' " The practice came into its own at the end of the nineteenth century, when Sigmund Freud began using literature during psychoanalysis sessions.

Otherwise, it's the secondary characters who stick in the mind: a cigar importer who explains the connection between his trade and arms dealing; an engineer who inscribes invisible "nanopoems" on the computer chips he designs for an American company.

Mr. Macy stars as Mr. Porter; Ms. Sedgwick plays Shelly Brady, his longtime friend and assistant; Ms. Baker is a genteel, lonely alcoholic who becomes one of his best customers; and Ms. Mirren portrays the strong, encouraging mother who inscribes "patience" and "persistence" in ketchup on the sandwich she packs for his lunch.

Even if they vouchsafe some premonitions of the future to the saints, we are not to suppose that they are the causes of what they signify, or that God, who inscribes his own knowledge in the stars, is the author of everything that he foresees.

The tenor who finally inscribed "Otello" in the American repertory -- and became most associated with its Met history -- was Giovanni Martinelli.

None of this, of course, could have been foreseen by the monk who first inscribed the song.