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That kind of dichotomy was typical of Amado, who, especially in his early years, tended to see everything as pairs of opposites: good and evil, black and white, sacred and profane, rich and poor.
Where his early work simply collided high and low, black and white, sacred and profane, art and shit, Ofili now makes more commanding, syncretic images – of the raising of Lazarus, or couples boogying on intricately patterned dance floors – that reject such dualism and thrill to mixing, creolisation, and promiscuity.
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("It belongs in a museum of the country he is culturally invading!") Why has Hollywood always found the pillaging of non-white sacred sites alluring and what does it say about a mainstream culture which consistently purchases tickets to these cinematic extravaganzas making Croft, Jones and The Mummy's Rick O´Connell an extremely lucrative business?
Her work has moved away from the South as she defined and knew it, all the way to Hollywood, where Americans have embraced it, hearing in O'Connor's voice the uneasy and unavoidable union between black and white, the sacred and the profane, the shit and the stars.
A snake is also tied around his waist and a white yagnopavita (sacred thread) is worn across the chest.
Followers are characterised by regular prayer and the wearing of the Sudreh (sacred white shirt) and Kushti (sacred cord worn around the waist).
Punishment for whispering or inattention during a royal ceremony ranged from immediate death to cutting hay for the sacred white elephant.
By Harold Ross The New Yorker, April 16 , 1927P. 20 Photographer at circus tries to get Burmese attendants of the sacred white elephant to allow him to pose the elephant in a low bow of pagan worship.
One of the themes that threads through early-20th-century American folk music -- black and white, secular and sacred -- is the longing for another world, the sweet by and by, the other shore, "The Big Rock Candy Mountain".
As a result, I grew up with a great appreciation for the produce of this part of northern Italy, where, in autumn, there are plentiful crops, fabulous wines, the great cardo gobbo (cardoon) and, of course, the sacred white truffle.
That those responsible for modernizing the metropolis are coping with these problems suggests the appropriateness of its official emblem: the God Indra seated atop a sacred white elephant, the four tusks of which denote its celestial status and its ability to accomplish the impossible.
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