Sentence examples for when on assignment from inspiring English sources
All told the show provides a sweeping view of Brandt's sensibility, his wide-ranging subject matter, his obsession with the printing process as an essential part of the photographer's art and his ability to function creatively even when on assignment.
Once outside the gilded cage of the palace, he did not slip gratefully into relative anonymity: friends testify to his desire to be recognised, even when on assignment as a photographer for the Sunday Times, and to his grumpiness if mouths did not fall open.
Take, for instance, the photographs Evans took in Detroit in July of 1946, when, on assignment for Fortune magazine, he spent an afternoon at a downtown intersection, shooting passersby with a Rolleiflex camera held at waist level.
Consider his Philosophers series, which started 23 years ago in 1988 when, on assignment for a magazine, Pyke came face to face with the late AJ Ayer, one of the great British thinkers of the 20th century.
She has been drawing Trump since 2014, when, on assignment for Vice, she confronted him at a press conference in Dubai and asked him about allegations of exploitative labor practices on Trump-branded properties.
While it may be possible for me, when on assignment for The Times, to pay for everything and follow Times practices, the reality is that my entire body of knowledge in the subject area depends on practices not allowed at The Times.
Coverage for readers always comes before personal pleasure when traveling on assignment.
The market in Kabul either had butter or it didn't, whereas when I went to Paris, where I live when not on assignment, I would go into food-choice shock.
When Bob Drury, on assignment for Men's Journal magazine, first encountered these ber-Eagle Scouts, he was surely licking his chops: if anyone is justified in taking the arrogant sporting class down a peg, it's a PJ.
And when Faucher, on assignment as part of a Boston Congregationalists' outreach to hungry Guatemalans, was pulled from the second story of a burning whorehouse, Briggs had called every classmate and pal in journalism in a desperate stand to keep the news out of the papers.
When shooting on assignment he tended to retain the best images for himself: the portrait of Robert Graves that appeared in a 1941 issue of Picture Post shows a young man focused on his work; the one from the same session that Brandt held back shows the poet looking more mature, a quill pen clasped between his teeth and a slightly mad, oracular gleam in his eye.
