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But when I collaborate on films, I usually have absolutely nothing to do with the visuals.
Occasionally, when I collaborate with someone we will go to a studio, just so it's not so cramped.
It was very interesting for me to learn that and I learned a lot from that as I do when I collaborate with anyone who's been doing it for a long time.
Even when I collaborate, to some degree, I kind of come in with the start of an idea and I'll work with another artist on that, or I'll bring them a song.
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I am a visionary and I can make things happen but I can only do that when I'm collaborating with others, using their strengths to complement mine.
So whether I'm directing, or doing an art show, or acting in a film, I am most inspired when I am collaborating with someone.
A lot's made of my intent when I'm collaborating.
That's when I started collaborating and teaming up with artists like The Bloody Beetroots.
When I launch into Collaborate I see my patient list so I can see everything that's happened on a patient of mine within a certain timeframe and then, individually, launch from Collaborate into each patient to see what has changed, what's the delta from the last visit?
When I was younger I collaborated a lot with Bill Amos, and together we did some studies on population genetics.
I became interested in it because back when I was 24 and I collaborated with this person Jack Early and we were known as Pruitt-Early, our first and biggest project was art with teenage boys.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com