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According to Moore, if I make an assertion, what I assert is nothing about my ideas or my mental states, but a certain "connexion of concepts".
What I assert then is wrong if I don't have the belief, despite the existence of black swans.
The content of my utterance is what I assert, and the content of my belief is what I believe in both cases, that dogs are lively, loyal creatures.
What if I asserted my will and I was wrong?
The secret of that certainty is just that it involved "a clear and distinct perception of what I am asserting".
The press issue I found fraught, because I had people I respected and admired who were sincerely thinking what I was asserting was nonsense.
Descartes' answer: "In this first item of knowledge [cognitione] there is simply a clear and distinct perception of what I am asserting" (ibid).
This is what I am asserting when I ask, are we done with Duchamp?
But how to bring what I would assert is America's most profound comic opera back to America?
What I am asserting is that the appeal of the Young Girl to heterosexual older men is no innocent attraction, and that it is a male-centered construction embedded in our culture that perpetuates a deeply irresponsible misogynistic dynamic.
What I am asserting here is the cross contextualization of our history with the present and future as a powerful means by which to show the public exactly why the ocean matters, as history yes, but as importantly now as part of the global present and as the locus for future human survival.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com