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My mum also had to explain who some of the authors were as they were writers of grown-up books.
"For reasons that we can't quite fathom, in this rather provincial little kingdom sandwiched between the big empires of the ancient Near East, there were writers of genius.
Many of them were writers of the Beat generation who saw parallels to their own beliefs in Miller's whole-hearted acceptance of the degrading along with the sublime.
Historians such as RH Tawney, Lawrence Stone, Hugh Trevor-Roper and Christopher Hill were "writers of extraordinary power, boldness and polemical gifts", who aimed to be understood by the common reader.
Here, the influence is more likely Samuel Palmer, and though it might be attractive to see some of his early watercolours and ink drawings as connected in some way to European symbolism, to Odilon Redon, their most likely progenitors were writers of supernatural fiction, such as Algernon Blackwood and MR James.
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They're writers of distinction.
All of them are writers of nonfiction".
Both are writers of high repute.
I mean, you know ALBEE -- We are writers of plays.
All want to be writers of the world, and the world rewards that aspiration.
But these are writers, of course, whose job is to be finely aware of nuances.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com