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The female warriors of an earlier generation — Sigourney Weaver's Ripley and then Linda Hamilton's Sarah Connor in the "Terminator" movies — were vessels of maternal rage, grown-ups weaponizing their protective instincts.
Bosch and his contemporaries believed in the existence of the damned, and those painted, freakish sufferers were vessels of genuine dread, whereas "In Bruges" calls its characters to their final reckoning with no higher motive than to blow them merrily away.
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There are vessels of orange juice, citrus rind in syrup, a bottle of Grand Marnier.
We crave illusion, and athletes have historically been vessels of our self-deception.
In a conceit that might have pleased Tanpinar - as well as writers gathered in his name – the mundane memorabilia are "vessels of a lost past".
They are vessels of experience, places where memories are born, regardless of the structures' age or opulence or lack thereof.
You are vessels of the love of God or you wouldn't be here.
As I wrote in an earlier article, many entrepreneurs are vessels of love.
Grandparents are vessels for the traditions of the community.
We are vessels for the exchange of affection, energy, connection and intimacy.
They're vessels, slab of dark, dying flesh.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com