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Further, neither side disputes that you had a weirdly late lunch, and that you feel like you've been eating a lot of Italian lately so would prefer that, whatever you do, it not be pizza, if that's O.K.
We'll never know if Chapman's version of the film would have been so terrible as to justify her displacement, but the version we did get to see certainly seems compromised: having laboriously set up a plot about a feisty princess being a mightier warrior than her three suitors, it then switches, at a weirdly late stage, to a plot about the princess's mother turning into a bear.
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Bland, banal and weirdly repulsive, Simon Fujiwara's latest video installation is all surface, plumbing the shallows of a life gone slightly wrong.
Before I give in to this temptation to renege, the oven timer dings and I'm freed to tend to a completely different, yet weirdly related task: my latest round of egg-and-dairy-free donuts.
I love it on saltines topped with anchovies (a homey and weirdly delicious presentation created by the late, lamented waiter Cesar), but at cocktail parties, I dress it up by serving it on toast points, without the anchovies.
Sunday night, I'm running late yet again and am weirdly nervous about it.
Hise's how.
Now in their late 30s, they continue to look weirdly boyish, like middle-aged children.
(Cotter) ★ 'Gaylen Gerber' (through Feb. 9) Starting from a gray-painted floor that coincidentally matches the gray-paper installation lining a small back room, Gaylen Gerber's latest New York appearance forms a modest, weirdly perfect entity, as well as a meditation on the monochrome.
The latest pathetic "solution," of course, is the (weirdly disputed) emergence of longtime Republican pollster, Donald Trump "alternative facts" adviser, and noted public health expert Kellyanne Conway as some kind of alleged "opioid czar".
Through Feb. 9 From a gray-painted floor that is purely coincidental to a small back room lined with nearly matching gray paper titled "Backdrop," Gaylen Gerber's latest gallery show in New York forms a modest, weirdly perfect entity, as well as a meditation on the monochrome.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com