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Liz Markus: When I worked for José Freire, we often spoke about context and how that can drastically affect the reading of an artist's work.
When I was actively involved in The Saferoom Project -- a non-profit providing support to adult survivors of child sexual assault -- we often spoke of preparing Emergency Kits in the better days, so that it would be there to aid us in the darker ones.
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We often speak about a coming age.
We often speak of unconditional love, but perhaps it's time we set a few conditions.
Wasn't it the case that in life, we often speak without any "intention"?
Today we often speak of prizes in terms of other prizes.
We often speak about years ago, when our causes were new.
We often speak of art as life-changing; this event truly has that potential in all its fullness and humanity.
We often speak as though the source of so many of our problems is complex and even mysterious.
We often speak euphemistically about these shortcomings with terms like "income inequality," "wage gap," or a "dysfunctional justice system".
We often speak of "Mommy's mommy," and I find myself trying to explain the illness that took her away from us.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com