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"Because this is India and we listen a lot to our parents, especially when we're younger, if the parents are convinced this is a good place to be, then they're going to encourage their kids to stay there," Ms. Singh said.
Amid the quiet, Colin turns on a single loom and we listen: a squeal and clatter, then a rattle and roar, a gathering and gathering and gathering, until the room is filled with a sound that runs right down to the marrow of you.
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It prevents learning since, after all, why should we listen to a "fascist," or a "socialist," or a "right-wing nut," or a left-wing nut"?
We listen to a recording of an interview Weiss did some years back for LBC.
We listen to a therapist working with a boy.
Such is the sophistication that an allegedly outdated form can achieve: we listen to a dire sound that no one else can hear.
In a 1995 interview with the Metro, Mick Quinn said, "We listen to a lot of different kinds of music.
We listen to a lot of choral music and Anand listens to a bunch of world stuff.
We listen in a foggy void, and try to puzzle out the significance of a narrator's inconclusive experiences.
We listen to a silent cry.
We listen to a lot of music in the studio.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com