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"Most of the people there were people that we drew to the scene".
The closer we drew to the mountain, the bigger, blacker and smoother the rocks became.
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But why are we drawn to malls?
"Why are we drawn to certain cities?" asks Rory MacLean in the prologue to his brilliant new history of Berlin.
But why are we drawn to gossip?
Why are we drawn to particular emoji?
Why are we drawn to people who act themselves?
So why aren't we drawn to YouTube for long-form content?
The popularity of these recent examples returns me to my initial question: why are we drawn to unreliable narrators?
The external circumstances that we draw to ourselves are a reflection of our internal state of experience.
These biases so often cut along the lines we draw to categorize and divide person from person, child from child.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com