Sentence examples for warlock of from inspiring English sources

The Warlock of Firetop Mountain, after all, remains perhaps the most cherished example of a gamebook: interactive novels with branching narratives that once beguiled a whole generation.

That same year, here in Britain, Terence Fisher's The Devil Rides Out portrayed comparable fears, the young becoming the hypnotised prey of a warlock of a certain age.

The high warlock of Brooklyn (Godfrey Gao) may be bread-and-butter bland, but his tiny shorts and tall heels cast spells of their own.

By the 1980s, Livingstone had turned to writing, creating the Fighting Fantasy series of novels such The Warlock of Firetop Mountain, which let readers do battle with mystical beasts.

The Versions of Us could be described as Sliding Doors, except with three stories instead of two; Life After Life, without all the messy deaths; or The Warlock of Firetop Mountain, without (slightly disappointingly) a big fire-breathing dragon.

The potential for "non-linear reading" isn't peculiar to digital texts: Ali Smith's How to Be Both, Mark Danielewski's Only Revolutions, Julio Cortázar's Hopscotch and Ian Livingstone's The Warlock of Firetop Mountain all have aleatory structures.

This is why the the warlocks of Qarth wanted control over the dragons, way back in season two, a quest that ended with them in fire.

In what must have been one of its most fun experiences ever, the stellar San Francisco Opera Chorus, led by Ian Robertson, sang and performed as both the colorfully clad townspeople and the witches and warlocks of Walpurgis Night.

In an unbearable face-off between Dany and Tyrion, she trash talks "heroes" for doing the "stupidest, bravest" things the exact kind of deeds she committed a mere two episodes ago when she ignored her advisors and charged into battle to burn the Lannister army, or when she confronted the warlocks of Qarth, to name a few examples.

If Bret Easton Ellis is, as many believe, literature's enfant terrible of 1980s disenchanted youth, it's only because he's also secretly a warlock capable of conjuring multivalent spells of celebration and castigation that subvert the meanings and value of sex, money, consumerism, and entertainment.

If Bret Easton Ellis is, as many believe, literature's enfant terrible of 1980s disenchanted youth, it's only because he's also secretly a warlock capable of conjuring multivalent spells of celebration and castigation that subvert the meanings and value of sex, money, consumerism and entertainment.