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By George Packer The new war literature by veterans is largely free of politics and polemics.
The style of understated disillusionment remains universally recognizable and pervasively influential in war literature.
It is a classic, both of war literature and of modernism.
So it's not surprising that the new war literature is intensely interested in the return home.
With it Hillenbrand marches second world war literature right back into the spotlight.
I was originally planning to write an academic study of war literature.
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Many Germans were against this and welcomed anti-war literature.
The Western world's first anti-patriotic, anti-war literature emerged out of gas.
The book is a Who's Who of post-war literature and publishing with walk-on parts for just about any writer of the period you've ever heard of.
Such is its landmark status in post-war literature that an anniversary anthology of responses to the poem, published earlier this year, is straightforwardly titled The Poem That Changed America.
In histories of the war, academics and scholars haven't wanted to draw on what existed during the war, a fairly substantial anti-war literature that talked about atrocities.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

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CEO of Professional Science Editing for Scientists @ prosciediting.com