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This theme often put the show's producers at odds with NBC executives, who wanted happier endings with more closure.
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He wanted happy stories.
Otherwise, editors ran the stories they wanted, happy to cause mischief.
Want happier kids?
I want happy people.
Who wouldn't want happy feet?
OK, you want happy, sad, stupid, funny?
"Franchise owners want happy fans," Rawlings said.
We want happy kids, not scared kids.
Don't get me wrong — I want happy employees, too.
"Because in the end, you want happy audiences," he said.
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