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The movie, which was shot in good-looking if not the glossiest digital video (the trace of digital artifacts adds to the documentary vibe), opens with a succession of young men addressing the camera with varying degrees of cynicism and confusion, voicing the same question that is repeatedly intoned back home: Why are we here?
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Other people that weekend had voiced the same question.
The authorial voice, asking the same question about the hero - what is he, is he moral or immoral? - answers with a terrifying metaphor: "Everything undergoes a rapid transformation in man.
"What's the big deal?" my 6-year-old mind wondered, and my almost-40 inner voice still asks the same question.
When she talked about how "the process" prompted her to find her "own voice," I had to ask the same question Clinton fans ask of Mr. Obama: where's the beef?
The same question can sound much different when spoken in a flat voice, without that final shift in tone.
I'd even hear a voice in my heart demanding an answer to the same question my harshest critics had asked me: What about the children?
Sometimes their parents know better, but sometimes they don't, as many have asked me over the years the same question, only in hushed voices, with sideways glances and a certain tilt of their heads.
Had I been asked the same question by a white man, in an angry voice, in another context, my reaction would probably have been very different.
After you ask the same question with increasing frustration, for instance, it feels like an affront for an artificial voice to continually produce the same deadpan response.
Schoolbook asked the same question.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com